Supernatural creatures trying to blend in with “normal
humans” is a fairly popular plot device in fiction these days. What makes it fresh
in Matt Haig's "The Radleys" is that half the family doesn't know
they're keeping a low profile. Actually, they aren't even aware of their
supernatural nature.
Though parents Peter and Helen know what they are, they've
deliberately kept their children in the dark. Claire and Rowan have always been
weak and prone to sickness, due to their inadvertent avoidance of the very
thing they don't know they need. An attack on Claire by a drunk, overly amorous
classmate sets in motion her and Rowan's discovery of both their true nature
and their parents' deception. Haig interweaves this discovery with bits and
pieces of back-story that sheds light on their parents' desire to abstain in
the first place.
What are they abstaining from? Blood, of course. Similar to
that other family of twinkly, Pacific Northwest abstainers, the Radleys act
just like their "unblood" neighbors on sleepy Orchard Lane – except
when they don't. And when they don't, their violence is spectacular and
horrific.
The narrative picks up speed when Peter turns to his
alluring, but wantonly cruel, brother Will for help. With Will's presence come
new secrets and complications that force Peter and Helen to face the
consequences of their long-standing deception.
The Radleys is a philosophical novel about honesty and the
perils of identity crisis set against an acute moral conflict. Haig develops
each character carefully and brings the narrative to a satisfying, but somewhat
sudden, conclusion.
If you have more than a passing interest in the
supernatural, but are overwhelmed by the avalanche of current supernatural
fiction, pick up The Radleys. It's a well-written novel that won't make you
feel empty after you're done reading.
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